"Study for 'Bathers at Asnières", Georges Seurat NFT on XRPL
"Study for 'Bathers at Asnières", Georges Seurat
Collection: Cleveland Originals
This oil sketch is one of many preparatory studies Seurat made for his monumental painting Bathers at Asnières (1883-84), depicting men leisurely bathing in the Seine near an industrial suburb of Paris. Seurat borrowed the brilliant colors of Impressionism to suggest outdoor light, but added structure by emphasizing basic geometric shapes and firm outlines. As a leader of the movement to reform Impressionism, his style became known as Neo-Impressionism."fun_fact": "Seurat´s approach to painting differed greatly from the Impressionist painters who worked outdoors in plein-air. In contrast, he worked in the studio preparing his compositions from drawings and preparatory studies." Artist Bio: Georges Seurat Georges Pierre Seurat (UK: /ˈsɜːrɑː, -ə/ SUR-ah, -ə, US: /sʊˈrɑː/ suu-RAH, French: [ʒɔʁʒ pjɛʁ sœʁa]; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined extreme and delicate sensibility with a passion for logical abstraction and almost mathematical precision of mind. His large-scale work, "A Sunday Afternoon on the Island of La Grande Jatte" (1884–1886), altered the direction of modern art by initiating Neo-Impressionism and is one of the icons of late 19th-century painting. Family and Education Seurat was born on 2 December 1859 in Paris, at 60 rue de Bondy (now rue René Boulanger). The Seurat family moved to 136 boulevard de Magenta (now 110 boulevard de Magenta) in 1862 or 1863. His father, Antoine Chrysostome Seurat, originally from Champagne, was a former legal official who became wealthy from speculating in property. His mother, Ernestine Faivre, was from Paris. Georges had a brother, Émile Augustin, and a sister, Marie-Berthe, both older. His father lived in Le Raincy and visited his wife and children once a week at boulevard de Magenta. Georges Seurat first studied art at the École Municipale de Sculpture et Dessin, near his family's home in boulevard Magenta, run by the sculptor Justin Lequien. In 1878, he moved on to the École des Beaux-Arts, where he was taught by Henri Lehmann, and followed a conventional academic training, drawing from casts of antique sculpture and copying drawings by old masters. Seurat's formal artistic education ended in November 1879, when he left the École des Beaux-Arts for a year of military service. After a year at the Brest Military Academy, he returned to Paris and shared a studio with his friend Aman-Jean, while also renting a small apartment at 16 rue de Chabrol. For the next two years, he worked at mastering the art of monochrome drawing. His first exhibited work, shown at the Salon of 1883, was a Conté crayon drawing of Aman-Jean. He also studied the works of Eugène Delacroix carefully, making notes on his use of color. Bathers at Asnières In 1883, Seurat began work on his first major painting – a large canvas titled "Bathers at Asnières," showing young men relaxing by the Seine in a working-class suburb of Paris. Although influenced by Impressionism, the painting, with its smooth textures and carefully outlined figures, showed the continuing impact of his neoclassical training. Seurat also departed from the Impressionist ideal by preparing for the work with numerous drawings and oil sketches before starting on the canvas in his studio. "Bathers at Asnières" was rejected by the Paris Salon, so he showed it at the Groupe des Artistes Indépendants in May 1884. Disillusioned by the poor organization of the Indépendants, Seurat and some other artists, including Charles Angrand, Henri-Edmond Cross, Albert Dubois-Pillet, and Paul Signac, set up a new organization, the Société des Artistes Indépendants. Seurat's new ideas on pointillism had a strong influence on Signac, who subsequently painted in the same idiom. A Sunday Afternoon on the Island of La Grande Jatte In the summer of 1884, Seurat began work on "A Sunday Afternoon on the Island of La Grande Jatte." The painting shows members of each social class participating in various park activities. The tiny juxtaposed dots of multi-colored paint allow the viewer's eye to blend colors optically, rather than physically blending the colors on the canvas. It took Seurat two years to complete this 10-foot-wide painting, with much time spent in the park sketching in preparation. There are about 60 studies for the large painting, including a smaller version, "Study for A Sunday Afternoon on the Island of La Grande Jatte" (1884–1885), in the collection of The Art Institute of Chicago. The full work is also part of the Art Institute of Chicago's permanent collection. The painting inspired James Lapine and Stephen Sondheim's musical "Sunday in the Park with George" and played a significant symbolic role in John Hughes' "Ferris Bueller's Day Off." Later Career and Personal Life Seurat concealed his relationship with Madeleine Knobloch, an artist's model whom he portrayed in "Jeune femme se poudrant." In 1889, she moved in with Seurat in his studio. When Madeleine became pregnant, the couple moved to a studio at 39 passage de l'Élysée-des-Beaux-Arts, where she gave birth to their son, Pierre-Georges, on 16 February 1890. Seurat spent the summer of 1890 on the coast at Gravelines, where he painted four canvases, including "The Channel of Gravelines, Petit Fort Philippe," as well as eight oil panels and a few drawings. Death Seurat died in Paris in his parents' home on 29 March 1891 at the age of 31. The cause of his death is uncertain, variously attributed to meningitis, pneumonia, infectious angina, and diphtheria. His son died two weeks later from the same disease. His last ambitious work, "The Circus," was left unfinished. A commemorative service was held on 30 March 1891 in the church of Saint-Vincent-de-Paul. Seurat was interred on 31 March 1891 at Cimetière du Père-Lachaise. Madeleine was pregnant with a second child who died during or shortly after birth. Colour Theory and Influence During the 19th century, scientist-writers such as Michel Eugène Chevreul, Ogden Rood, and David Sutter wrote treatises on color, optical effects, and perception, influencing artists. Chevreul produced a color wheel of primary and intermediary hues and discovered that juxtaposed colors would have the effect of another color when seen from a distance, a basis for the pointillist technique. Chevreul also realized the complementary color effect, used extensively by Neo-Impressionists. Seurat was influenced by these theories and others, including Charles Blanc's "Grammaire des arts du dessin" and Sutter's "Phenomena of Vision." Seurat adopted a scientific approach to color, applying these theories in his work. His meticulous study of color theory led to the development of pointillism, also known as divisionism or chromoluminarism, where colors were applied to the canvas in small dots or points rather than being mixed on the palette. This technique allowed colors to be optically mixed by the viewer's eye, creating a greater sense of luminosity and vibrancy in his paintings. Seurat's ideas on color harmony and the emotional impact of color were groundbreaking. He believed that colors had inherent symbolic and emotional qualities and carefully chose his palette to evoke specific moods or atmospheres in his compositions. His use of complementary colors and contrasting hues created dynamic visual effects, while his precise application of dots of color allowed for a sense of order and structure within his paintings. Legacy and Influence Georges Seurat's innovative techniques and theories had a profound impact on the development of modern art. His exploration of color theory and pointillism laid the groundwork for later movements such as Fauvism and Cubism. Artists such as Paul Signac, Henri-Edmond Cross, and Maximilien Luce embraced his ideas and further developed the pointillist style. Seurat's legacy continues to be celebrated today, with his works held in major museums and collections around the world. His groundbreaking approach to color and composition continues to inspire artists and art lovers alike, ensuring his lasting significance in the history of art. Honors and Commemoration In recognition of his contributions to art, Google honored Georges Seurat with a Google Doodle on his 162nd birthday, December 2, 2021. This commemoration highlighted his iconic painting "A Sunday Afternoon on the Island of La Grande Jatte" and celebrated his enduring legacy as one of the most innovative artists of the 19th century.
Issuer: rLzncbwKysPuA9FvrocUKBZUbQGiBBPNk3
Taxon: 2
- technique : oil on wood panel
- culture : France, 19th century
- creation date : 1883\1884
- artist: Georges Seurat
- px: 5079 x 3203
NFTokenID: 00081770DB35F371D4D6B9E351DA0CF20D4EBF5F49F78DB94FB85B5C042C1EC3
View and trade this NFT on XRPL.to — the XRP Ledger NFT marketplace.
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Description
This oil sketch is one of many preparatory studies Seurat made for his monumental painting Bathers at Asnières (1883-84), depicting men leisurely bathing in the Seine near an industrial suburb of Paris. Seurat borrowed the brilliant colors of Impressionism to suggest outdoor light, but added structure by emphasizing basic geometric shapes and firm outlines. As a leader of the movement to reform Impressionism, his style became known as Neo-Impressionism."fun_fact": "Seurat´s approach to painting differed greatly from the Impressionist painters who worked outdoors in plein-air. In contrast, he worked in the studio preparing his compositions from drawings and preparatory studies." Artist Bio: Georges Seurat Georges Pierre Seurat (UK: /ˈsɜːrɑː, -ə/ SUR-ah, -ə, US: /sʊˈrɑː/ suu-RAH, French: [ʒɔʁʒ pjɛʁ sœʁa]; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined extreme and delicate sensibility with a passion for logical abstraction and almost mathematical precision of mind. His large-scale work, "A Sunday Afternoon on the Island of La Grande Jatte" (1884–1886), altered the direction of modern art by initiating Neo-Impressionism and is one of the icons of late 19th-century painting. Family and Education Seurat was born on 2 December 1859 in Paris, at 60 rue de Bondy (now rue René Boulanger). The Seurat family moved to 136 boulevard de Magenta (now 110 boulevard de Magenta) in 1862 or 1863. His father, Antoine Chrysostome Seurat, originally from Champagne, was a former legal official who became wealthy from speculating in property. His mother, Ernestine Faivre, was from Paris. Georges had a brother, Émile Augustin, and a sister, Marie-Berthe, both older. His father lived in Le Raincy and visited his wife and children once a week at boulevard de Magenta. Georges Seurat first studied art at the École Municipale de Sculpture et Dessin, near his family's home in boulevard Magenta, run by the sculptor Justin Lequien. In 1878, he moved on to the École des Beaux-Arts, where he was taught by Henri Lehmann, and followed a conventional academic training, drawing from casts of antique sculpture and copying drawings by old masters. Seurat's formal artistic education ended in November 1879, when he left the École des Beaux-Arts for a year of military service. After a year at the Brest Military Academy, he returned to Paris and shared a studio with his friend Aman-Jean, while also renting a small apartment at 16 rue de Chabrol. For the next two years, he worked at mastering the art of monochrome drawing. His first exhibited work, shown at the Salon of 1883, was a Conté crayon drawing of Aman-Jean. He also studied the works of Eugène Delacroix carefully, making notes on his use of color. Bathers at Asnières In 1883, Seurat began work on his first major painting – a large canvas titled "Bathers at Asnières," showing young men relaxing by the Seine in a working-class suburb of Paris. Although influenced by Impressionism, the painting, with its smooth textures and carefully outlined figures, showed the continuing impact of his neoclassical training. Seurat also departed from the Impressionist ideal by preparing for the work with numerous drawings and oil sketches before starting on the canvas in his studio. "Bathers at Asnières" was rejected by the Paris Salon, so he showed it at the Groupe des Artistes Indépendants in May 1884. Disillusioned by the poor organization of the Indépendants, Seurat and some other artists, including Charles Angrand, Henri-Edmond Cross, Albert Dubois-Pillet, and Paul Signac, set up a new organization, the Société des Artistes Indépendants. Seurat's new ideas on pointillism had a strong influence on Signac, who subsequently painted in the same idiom. A Sunday Afternoon on the Island of La Grande Jatte In the summer of 1884, Seurat began work on "A Sunday Afternoon on the Island of La Grande Jatte." The painting shows members of each social class participating in various park activities. The tiny juxtaposed dots of multi-colored paint allow the viewer's eye to blend colors optically, rather than physically blending the colors on the canvas. It took Seurat two years to complete this 10-foot-wide painting, with much time spent in the park sketching in preparation. There are about 60 studies for the large painting, including a smaller version, "Study for A Sunday Afternoon on the Island of La Grande Jatte" (1884–1885), in the collection of The Art Institute of Chicago. The full work is also part of the Art Institute of Chicago's permanent collection. The painting inspired James Lapine and Stephen Sondheim's musical "Sunday in the Park with George" and played a significant symbolic role in John Hughes' "Ferris Bueller's Day Off." Later Career and Personal Life Seurat concealed his relationship with Madeleine Knobloch, an artist's model whom he portrayed in "Jeune femme se poudrant." In 1889, she moved in with Seurat in his studio. When Madeleine became pregnant, the couple moved to a studio at 39 passage de l'Élysée-des-Beaux-Arts, where she gave birth to their son, Pierre-Georges, on 16 February 1890. Seurat spent the summer of 1890 on the coast at Gravelines, where he painted four canvases, including "The Channel of Gravelines, Petit Fort Philippe," as well as eight oil panels and a few drawings. Death Seurat died in Paris in his parents' home on 29 March 1891 at the age of 31. The cause of his death is uncertain, variously attributed to meningitis, pneumonia, infectious angina, and diphtheria. His son died two weeks later from the same disease. His last ambitious work, "The Circus," was left unfinished. A commemorative service was held on 30 March 1891 in the church of Saint-Vincent-de-Paul. Seurat was interred on 31 March 1891 at Cimetière du Père-Lachaise. Madeleine was pregnant with a second child who died during or shortly after birth. Colour Theory and Influence During the 19th century, scientist-writers such as Michel Eugène Chevreul, Ogden Rood, and David Sutter wrote treatises on color, optical effects, and perception, influencing artists. Chevreul produced a color wheel of primary and intermediary hues and discovered that juxtaposed colors would have the effect of another color when seen from a distance, a basis for the pointillist technique. Chevreul also realized the complementary color effect, used extensively by Neo-Impressionists. Seurat was influenced by these theories and others, including Charles Blanc's "Grammaire des arts du dessin" and Sutter's "Phenomena of Vision." Seurat adopted a scientific approach to color, applying these theories in his work. His meticulous study of color theory led to the development of pointillism, also known as divisionism or chromoluminarism, where colors were applied to the canvas in small dots or points rather than being mixed on the palette. This technique allowed colors to be optically mixed by the viewer's eye, creating a greater sense of luminosity and vibrancy in his paintings. Seurat's ideas on color harmony and the emotional impact of color were groundbreaking. He believed that colors had inherent symbolic and emotional qualities and carefully chose his palette to evoke specific moods or atmospheres in his compositions. His use of complementary colors and contrasting hues created dynamic visual effects, while his precise application of dots of color allowed for a sense of order and structure within his paintings. Legacy and Influence Georges Seurat's innovative techniques and theories had a profound impact on the development of modern art. His exploration of color theory and pointillism laid the groundwork for later movements such as Fauvism and Cubism. Artists such as Paul Signac, Henri-Edmond Cross, and Maximilien Luce embraced his ideas and further developed the pointillist style. Seurat's legacy continues to be celebrated today, with his works held in major museums and collections around the world. His groundbreaking approach to color and composition continues to inspire artists and art lovers alike, ensuring his lasting significance in the history of art. Honors and Commemoration In recognition of his contributions to art, Google honored Georges Seurat with a Google Doodle on his 162nd birthday, December 2, 2021. This commemoration highlighted his iconic painting "A Sunday Afternoon on the Island of La Grande Jatte" and celebrated his enduring legacy as one of the most innovative artists of the 19th century.
"Study for 'Bathers at Asnières", Georges Seurat
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